Sat, Feb 14, 2026

7:00 PM*

Edmonds Center for the Arts

Sun, Feb 15, 2026

5:00 PM

Edmonds Center for the Arts

*This performance is followed by a Q&A session with the choreographers, led by Co-Artistic Director Oleg Gorboulev.

Two new works. Two nights only.

Every year, Olympic Ballet Theatre invites innovative contemporary ballet choreographers to create original works for the company. This season’s Debuts present a thrilling double-bill, including Our Tender Distance by Beth Twigs and Letters for a Restless World by Price Suddarth. These new works offer an exciting evening of artistry, grounded in classical ballet and inspired by modern expression.

Meet the Choreographers

PRICE SUDDARTH

Price Suddarth is an American choreographer and dancer based in Seattle. He began his dance education with the Central Indiana Dance Ensemble, followed by the School of American Ballet, and then on scholarship with Pacific Northwest Ballet School, where, upon graduation, he joined Pacific Northwest Ballet. In 2018, he was promoted to the rank of Soloist.

During his 16 seasons with PNB, Price was nominated for a Princess Grace Award in dance (2011) and named one of Dance Magazine’s “Top 25 to Watch” (2012). His choreographic work includes commissions for Pacific Northwest Ballet, where his first mainstage work, Signature, premiered in 2015 and returned in 2019. In 2022, he staged Borderland for Olympic Ballet Theatre’s inaugural production of Debuts.

After three decades of performing, Price retired from the stage in 2025 to focus on a new creative chapter. Alongside his wife, fellow artist Emma Love Suddarth, he co-founded JUMPKUT Contemporary Ballet, a multimedia contemporary ballet company that blends movement, cinema, and storytelling. Through JUMPKUT, the duo continues to explore innovative ways to merge classical craft with cinematic narrative for both stage and screen.

BETH TWIGS

Beth Twigs is a choreographer, educator, and multimodal dance artist with over twenty years of experience in performance, creation, and teaching. She holds an MFA in Dance from the University of Washington, where her research centered on consent, gender dynamics, and embodiment in ballet partnering. Beth is currently a full-time lecturer at the University of Wyoming, where she teaches ballet, contemporary modern, and compositional courses while actively contributing to conference planning and departmental programming.

Beth began her professional performance career with Ballet Austin, where she danced for a decade under Artistic Director Stephen Mills. Her repertory includes works by Crystal Pite, Nicolo Fonte, KT Nelson, Thang Dao, Thaddeus Davis, Gregory Dolbashian and many others. She has toured nationally and internationally, performing in major venues including the Kennedy Center and Arsht Center, as well as worked as a freelance dancer in both San Francisco and London, UK.

As a choreographer, Beth’s work has been commissioned by companies such as Vitacca Ballet, Chamber Dance Company, Seattle Dance Collective, and Boston Dance Theater’s trainee program; as well as presented at leading festivals such as Seattle International Dance Festival, Austin Dance Festival, New Century Dance Project, and Dumbo Dance Festival. Her choreography explores layered narratives and physical risk, often rooted in themes of power, intimacy, and consent.

Beth is also the founder and artistic director of Twigs + Co, formerly known as Seattle-based nonprofit dance company The Gray. She regularly presents at academic and professional conferences including Corps de Ballet International, NDEO, and CoDEO, and her teaching and research integrate professional dance practices with academic inquiry. Her work continues to evolve at the intersection of education, embodiment, and creative risk.

The Saturday, February 14 performance of Debuts is followed by a Q&A session with the choreographers, led by Co-Artistic Director Oleg Gorboulev.

OUR TENDER DISTANCE

Choreographer: Beth Twigs

Composer: Gaspar Claus

Our Tender Distance explores the fragile labor of staying open in a world saturated with hurt. In moments when collective and personal grief leave us raw, the instinct to retreat and protect can overshadow our longing for connection. This piece asks how we find the capacity for vulnerability—how we allow closeness when it feels frightening, tender, and necessary. It investigates the search for strength within tenderness, tracing art, beauty, love, and human connection as both refuge and resistance, and as reasons to imagine a more empathetic world.

Beth Twigs in rehearsal with OBT dancers. Photo by Hadley Kaufmann

LETTERS FOR A RESTLESS WORLD

Choreographer: Price Suddarth

Composer: Alfonso Peduto

Letters for a Restless World is a search for stillness amidst continual motion. Set to Alfonso Peduto’s score of the same name—composed during a month spent in New York City—the work echoes the sensation of living inside relentless commotion, where noise and activity rarely pause long enough for quietness to emerge. The choreography imagines a black-and-white photograph: movement that creates streaks which pass in soft blurs, while at the center, a solitary figure remains sharply in focus. Bodies rush, collide, and orbit, yet moments of tranquility surface unexpectedly, asking the question, “What does it mean to stay present when the world refuses to slow?”.  In both music and movement, the piece searches for peace not by escaping the chaos, but by learning how to stand still within it.

We graciously thank the following sponsors and donors for their support. Without them, our special programming would not be possible.

Anonymous donor